The notebook opens with a photograph of Vezelay (Burgundy) by J. Roubier. The illustrations through include: the gothic choir and a tympanum of a Paris church; capital in the plain crypt of S. Benigne Dijon; diagrams illustrating the difficulty of planning a Roman Amphitheatre; an intersection of vaults at Abbey of Montmajour; top story Campanile; floor plan and a base at Church of St. Maria Gloriosa dei Frari (Venice); a Florentine campanite; a hand-drawn map of sites around a Roman town near S. Vitale; cornice at the Mausoleum of Theodric (Ravenna); chancels, bases and window tracery at Church of St. Vulfran (Abbeville); intersecting mouldings and a section of buttresses at Amiens, Church of St. Germain; archlets; bases and diagram of window placements and half of triforium window from nave at Beauvais Cathedral; plan of vault and abaci at Church of St. Etienne (Beauvais); comparison of bases and a section of western bays in the nave at Abbey Church of St. Remy (Rheims); window tracery at Rheims Cathedral; a plan of the statues of the West Portal (of Reims Cathedral) taken from a publication by Patrick Demouy; a rough ground plan of two chapels of chevet and the elevation of [unreadable text] and triforium at the Church of Notre Dame, Chalons-sur-Marne; bases, pier of nave, tracery at Toul Cathedral; tracery at the Church of St. Gengoult (Toul); window tracery and bases at Strasbourg Cathedral; recumbent figure from F. Wormald's publication "Development of English Illumination..."; a respond in North Transcept, the ground plan, two windows in north side of nave, and a chancel arch with a figure at the Worth Parish Church (Sussex); a foliage ornament in the shape of a "Jellinge beats" and a "Ringerike leaf" from "Scandinavian Influences on Saxon Art"; three front exteriors for comparison and include Salisbury, Peterborough and Wells Cathedrals; Inforium and capitals at Salisbury Cathedral; bases and trefoil arches in north transept of Furness Abbey; Perp. tower, capital of nook-shaft, chevron patterning, a terminal, decoration in arcade of Chartmel Priory; the color-coded layout of a circular site, Stonehenge, on onion skin paper; tracery, piers, bases, stringcourses, and capitals at St. Edmund's Church, Salisbury; vine scroll of pilaster of arch at Britford Church (near Salisbury); tracery, arches, piers bases at St. Martin's Church (Salisbury); tracery, responds, capitals, bases, and piers at St. Thomas's Church (Salisbury); piers, arches, bases, capitals, tracery, chancel designs, crenellations at St. Mary's Church (Devizes); tracery, mullion, window mouldings, capitals, base, circular shaft beneath respond at Bromham Church; and window tracery and chancel detail at Bishop's Canning Church. Mason Marks: Palace of the Popes (Avignon), Fort St. Andre (Villeneuve du Paps), Charterhouse at Villeneauve du Papes, St. Thomas's Church (Salisbury), Abbey of Montemajour; Rheims Cathedral; "Masons' Marks Abroad" from Anton Springer Handbuch fur Kunstgeschichte (Leipzig, 1909), Volume II; Furness Abbey; St. Edmund's Church (Salisbury); St. Thomas's Church (Salisbury); St. Mary's Church (Devizes); and St. John's (Devizes).
illustration_description
The notebook opens with a photograph of Vezelay (Burgundy) by J. Roubier. The illustrations through include: the gothic choir and a tympanum of a Paris church; capital in the plain crypt of S. Benigne Dijon; diagrams illustrating the difficulty of planning a Roman Amphitheatre; an intersection of vaults at Abbey of Montmajour; top story Campanile; floor plan and a base at Church of St. Maria Gloriosa dei Frari (Venice); a Florentine campanite; a hand-drawn map of sites around a Roman town near S. Vitale; cornice at the Mausoleum of Theodric (Ravenna); chancels, bases and window tracery at Church of St. Vulfran (Abbeville); intersecting mouldings and a section of buttresses at Amiens, Church of St. Germain; archlets; bases and diagram of window placements and half of triforium window from nave at Beauvais Cathedral; plan of vault and abaci at Church of St. Etienne (Beauvais); comparison of bases and a section of western bays in the nave at Abbey Church of St. Remy (Rheims); window tracery at Rheims Cathedral; a plan of the statues of the West Portal (of Reims Cathedral) taken from a publication by Patrick Demouy; a rough ground plan of two chapels of chevet and the elevation of [unreadable text] and triforium at the Church of Notre Dame, Chalons-sur-Marne; bases, pier of nave, tracery at Toul Cathedral; tracery at the Church of St. Gengoult (Toul); window tracery and bases at Strasbourg Cathedral; recumbent figure from F. Wormald's publication "Development of English Illumination..."; a respond in North Transcept, the ground plan, two windows in north side of nave, and a chancel arch with a figure at the Worth Parish Church (Sussex); a foliage ornament in the shape of a "Jellinge beats" and a "Ringerike leaf" from "Scandinavian Influences on Saxon Art"; three front exteriors for comparison and include Salisbury, Peterborough and Wells Cathedrals; Inforium and capitals at Salisbury Cathedral; bases and trefoil arches in north transept of Furness Abbey; Perp. tower, capital of nook-shaft, chevron patterning, a terminal, decoration in arcade of Chartmel Priory; the color-coded layout of a circular site, Stonehenge, on onion skin paper; tracery, piers, bases, stringcourses, and capitals at St. Edmund's Church, Salisbury; vine scroll of pilaster of arch at Britford Church (near Salisbury); tracery, arches, piers bases at St. Martin's Church (Salisbury); tracery, responds, capitals, bases, and piers at St. Thomas's Church (Salisbury); piers, arches, bases, capitals, tracery, chancel designs, crenellations at St. Mary's Church (Devizes); tracery, mullion, window mouldings, capitals, base, circular shaft beneath respond at Bromham Church; and window tracery and chancel detail at Bishop's Canning Church. Mason Marks: Palace of the Popes (Avignon), Fort St. Andre (Villeneuve du Paps), Charterhouse at Villeneauve du Papes, St. Thomas's Church (Salisbury), Abbey of Montemajour; Rheims Cathedral; "Masons' Marks Abroad" from Anton Springer Handbuch fur Kunstgeschichte (Leipzig, 1909), Volume II; Furness Abbey; St. Edmund's Church (Salisbury); St. Thomas's Church (Salisbury); St. Mary's Church (Devizes); and St. John's (Devizes).
Illustration Description
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