manifest
type: Manifest
label: Psalter in Latin
attribution: Medieval Document Collection
service: search
sequences: Sequence
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related: https://luna.library.wmich.edu/luna/servlet/detail/WMUwmu~77~77~1222637~162549
related: https://luna.library.wmich.edu/MediaManager/srvr

page0
type: Canvas
label: 1
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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page2
type: Canvas
label: 3
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page2
width: 3420
height: 4509

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page3
type: Canvas
label: 4
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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metadata:
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metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
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  label: Subject
  value: Psalters--Illustrations
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  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
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  label: Subject
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metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
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metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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page5
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metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page5
width: 3345
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page6
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label: 7
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page6
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page7
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label: 8
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
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  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
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  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page8
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metadata:
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metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page8
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page9
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label: 10
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page9
width: 3357
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page10
type: Canvas
label: 11
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page10
width: 3356
height: 4502

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page11
type: Canvas
label: 12
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page12
type: Canvas
label: 13
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page12
width: 3356
height: 4551

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page13
type: Canvas
label: 14
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page13
width: 3447
height: 4548

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page14
type: Canvas
label: 15
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page15
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metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
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  label: Subject
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metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page16
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label: 17
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page16
width: 3430
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page17
type: Canvas
label: 18
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page17
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page18
type: Canvas
label: 19
metadata:
  label: Identifier
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metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page19
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metadata:
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metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
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  value: 224 leaves
metadata:
  label: Subject
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metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
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  label: Subject
  value: Psalters--Illustrations
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  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
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  label: Subject
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  label: Language
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metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
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metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page20
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metadata:
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metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page20
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page21
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label: 22
metadata:
  label: Identifier
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metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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page22
type: Canvas
label: 23
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
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  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
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  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
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  value: Devotional calendars
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  label: Subject
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metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page23
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metadata:
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metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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page24
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label: 25
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page24
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page25
type: Canvas
label: 26
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page25
width: 3346
height: 4441

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page26
type: Canvas
label: 27
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page27
type: Canvas
label: 28
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page27
width: 3325
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page28
type: Canvas
label: 29
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page28
width: 3325
height: 4408

default.jpg
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format: image/jpeg
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page29
type: Canvas
label: 30
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page30
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metadata:
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  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
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  label: Subject
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metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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page31
type: Canvas
label: 32
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page31
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page32
type: Canvas
label: 33
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page32
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page33
type: Canvas
label: 34
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page34
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metadata:
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metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
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  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
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  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
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  label: Subject
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  label: Language
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metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
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metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page35
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metadata:
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metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page35
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page36
type: Canvas
label: 37
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page36
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page37
type: Canvas
label: 38
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
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  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
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  value: Devotional calendars
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metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page38
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metadata:
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metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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page39
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metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page39
width: 3441
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page40
type: Canvas
label: 41
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page40
width: 3441
height: 4530

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page41
type: Canvas
label: 42
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page42
type: Canvas
label: 43
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page42
width: 3393
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page43
type: Canvas
label: 44
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page43
width: 3415
height: 4585

default.jpg
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format: image/jpeg
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page44
type: Canvas
label: 45
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
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metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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page46
type: Canvas
label: 47
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page46
width: 3411
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page47
type: Canvas
label: 48
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page47
width: 3381
height: 4588

default.jpg
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page48
type: Canvas
label: 49
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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metadata:
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  label: Manuscript Identifier
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metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
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  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
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  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
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  label: Subject
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  label: Language
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metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
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metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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page50
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metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page50
width: 3496
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page51
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label: 52
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page51
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page52
type: Canvas
label: 53
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
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  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
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  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
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  label: Subject
  value: Psalters--Illustrations
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  value: Devotional calendars
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metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
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  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page53
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metadata:
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metadata:
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  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page54
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metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page54
width: 3358
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page55
type: Canvas
label: 56
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page55
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page56
type: Canvas
label: 57
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page57
type: Canvas
label: 58
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page57
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page58
type: Canvas
label: 59
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page58
width: 3405
height: 4709

default.jpg
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format: image/jpeg
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page59
type: Canvas
label: 60
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page60
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metadata:
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metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
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  label: Subject
  value: Devotional calendars
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  label: Subject
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  label: Subject
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  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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page61
type: Canvas
label: 62
metadata:
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metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page61
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page62
type: Canvas
label: 63
metadata:
  label: Identifier
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metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
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metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page62
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page63
type: Canvas
label: 64
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page64
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metadata:
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  label: Manuscript Identifier
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metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
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  value: 224 leaves
metadata:
  label: Subject
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metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
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  label: Subject
  value: Psalters--Illustrations
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  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
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  label: Subject
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metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
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metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page65
type: Canvas
label: 66
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page65
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page66
type: Canvas
label: 67
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page66
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page67
type: Canvas
label: 68
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
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  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
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  value: Manuscripts, Latin (Medieval and modern)
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  label: Subject
  value: Psalters--Illustrations
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metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
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  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page68
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metadata:
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metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
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metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page69
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metadata:
  label: Identifier
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metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page69
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page70
type: Canvas
label: 71
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page70
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page71
type: Canvas
label: 72
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page72
type: Canvas
label: 73
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page72
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page73
type: Canvas
label: 74
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page73
width: 3459
height: 4428

default.jpg
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page74
type: Canvas
label: 75
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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metadata:
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  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
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  label: Subject
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metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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page76
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label: 77
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page76
width: 3397
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page77
type: Canvas
label: 78
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page77
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page78
type: Canvas
label: 79
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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metadata:
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metadata:
  label: Title
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metadata:
  label: Alternative Title
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metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
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  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
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metadata:
  label: Subject
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metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
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  value: Devotional calendars
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metadata:
  label: Language
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  label: Dimensions
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metadata:
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  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page80
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metadata:
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metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
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  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
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metadata:
  label: Collation
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metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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page81
type: Canvas
label: 82
metadata:
  label: Identifier
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metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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page82
type: Canvas
label: 83
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
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  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
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  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
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  value: Devotional calendars
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metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page83
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metadata:
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metadata:
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  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page84
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label: 85
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page84
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page85
type: Canvas
label: 86
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page85
width: 3418
height: 4424

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page86
type: Canvas
label: 87
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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format: image/jpeg
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page87
type: Canvas
label: 88
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page87
width: 3528
height: 4565

default.jpg
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service: WMUwmu~77~77~1222637~162549page87
format: image/jpeg
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page88
type: Canvas
label: 89
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page88
width: 3527
height: 4565

default.jpg
type: Image
service: WMUwmu~77~77~1222637~162549page88
format: image/jpeg
width: 3527
height: 4565

page89
type: Canvas
label: 90
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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label: 91
metadata:
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  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
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  label: Subject
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metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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page91
type: Canvas
label: 92
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page91
width: 3359
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page92
type: Canvas
label: 93
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page92
width: 3358
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page93
type: Canvas
label: 94
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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metadata:
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metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
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  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
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  label: Subject
  value: Psalters--Illustrations
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  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
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  label: Subject
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  label: Language
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metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
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metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page95
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metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page95
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page96
type: Canvas
label: 97
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page96
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page97
type: Canvas
label: 98
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
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  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
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  value: Manuscripts, Latin (Medieval and modern)
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  label: Subject
  value: Psalters--Illustrations
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metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
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  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
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page98
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metadata:
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  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
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metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
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page99
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label: 100
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page99
width: 3406
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page100
type: Canvas
label: 101
metadata:
  label: Identifier
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metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page100
width: 3406
height: 4575

default.jpg
type: Image
service: WMUwmu~77~77~1222637~162549page100
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page101
type: Canvas
label: 102
metadata:
  label: Identifier
  value: exwsms192_bk
metadata:
  label: Manuscript Identifier
  value: MS 192
metadata:
  label: Title
  value: Psalter in Latin
metadata:
  label: Alternative Title
  value: MS 192
metadata:
  label: Incipit
  value: ff. ii-iv verso (front flyleaves), added in the seventeenth century: “oraison qui fau [sic] dire au com [mencement] de la messe / o mon dieu et mon createur ...”
metadata:
  label: Author
  value: Catholic Church
metadata:
  label: Origin Date
  value: between 1450 and 1475
metadata:
  label: Origin Location
  value: Southern Netherlands or Bruges (Belgium)
metadata:
  label: Description
  value: Mid-15th century Psalter in Latin with illuminated initials within full borders. The text includes the 150 psalms, copied in biblical order, followed by the Canticles: ff. 1-6, Calendar, sparse, and with many feasts assigned to an alternative or wrong date; ff. 7-200v, Psalter, complete with 150 psalms; ff. 200v-219v, Liturgical canticles for Lauds on each weekday; ff. 220-224v, Litanies followed by prayers.
metadata:
  label: Provenance
  value: Written and illuminated in Bruges in the middle of the fifteenth century, c. 1450-1460, as indicated by the evidence of the calendar, litany and style of decoration. The inclusion of St. Donatian, the patron saint of Bruges in red on 14 October confirms the localization of the manuscript in Bruges. The litanies include St. Basil of Bruges, as well as other saints venerated in the Low Countries including St. Amand of Maastricht, St Amalberga, probably of Temse, especially venerated in Ghent (although other possibilities include St. Amalberga of Maubeuge or St. Amalberga of Susteren), and St. Juliana of Nicomedia (venerated especially in the Netherlands). From flyleaves, prayers in French written by a seventeenth-century hand. Front paste down, armorial bookplate of the Gaudemaris family from Hautes-Alpes and Provence, likely indicating this is from the library of the noted early photographer, Count Victor de Gaudemaris (1835-1918).
metadata:
  label: Extent
  value: 224 leaves
metadata:
  label: Subject
  value: Psalters--Belgium--Bruges
metadata:
  label: Subject
  value: Medieval Catholic Church--Liturgy
metadata:
  label: Subject
  value: Illumination of books and manuscripts
metadata:
  label: Subject
  value: Manuscripts, Latin (Medieval and modern)
metadata:
  label: Subject
  value: Psalters--Illustrations
metadata:
  label: Subject
  value: Devotional calendars
metadata:
  label: Subject
  value: decorated initials
metadata:
  label: Subject
  value: Psalms
metadata:
  label: Language
  value: lat
metadata:
  label: Language
  value: fre
metadata:
  label: Dimensions
  value: 132 x 95 mm
metadata:
  label: Material
  value: parchment
metadata:
  label: Collation
  value: i⁶, ii-xxviii⁸, xxi²
metadata:
  label: Foliation
  value: iv (paper) + 224 + iv (paper) folios on paper, modern foliation in pencil
metadata:
  label: Binding
  value: Bound in brown morocco, gold-tooled with geometric panels, catch-pins in metal on the back board, catches lacking, gilt edges, minor bumps and wear.
metadata:
  label: Decoration Description
  value: 17 lines, 1-line verse initials alternating in red and blue, 2-line gold initials infilled in blue and red with white highlights on contrasting grounds, Eight illuminated initials with full borders including seven 5-line and one 6-line (the opening Beatus vir”) initials in blue or pink highlighted in white, in-filled with vine scrolls on burnished gold grounds from which spring three-quarter-bar borders in gold and pink/blue, and surrounded by full acanthus borders with flowers and birds, dotted with leaves in gold, some minor stains and a few 1-line initials have been erased. Flower stems with multicolored acanthus leaves dominate the margins, inhabited with a bird or two, often a peacock. Liquid gold is generously used among red, blue, pink, and green for acanthus, the stylized carrot flowers and the occasional rosehip-shaped flower. The enclosed areas between the interlacing stems are filled with burnished gold. Burnished gold is also used for small leaves that decorate the short hairline stems drawn in black. The black hairline stems are also decorated with small flowers with petals tipped in red or blue and each of them terminates in a small blue dot.
metadata:
  label: Description of Hands
  value: Written in black in gothic textualis bookhand
metadata:
  label: Additions and Marginalia
  value: Wide margins, eight of which are decorated with bright acanthus borders embellished with liquid and burnished gold.
metadata:
  label: Is Part Of
  value: Medieval Document Collection
metadata:
  label: Is Part Of
  value: Manuscript 192, Western Michigan University Special Collection
metadata:
  label: Publisher
  value: Western Michigan University
metadata:
  label: Date-Issued
  value: 2022
metadata:
  label: Type
  value: Text
metadata:
  label: Format
  value: image/jp2
metadata:
  label: Is Referenced By
  value: As-Vijvers, A and A Korteweg. Splendor of the Burgundian Netherlands, Utrecht, 2018.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. ‘Item à Guillaume Wyeland aussi enlumineur,’ Willem Vrelant, Un aspect de l’enlumineur dans les Pays-Bas méridionaux sous le mécénat de ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout, 1997.
metadata:
  label: Is Referenced By
  value: Bousmanne, B. and T. Delcourt, eds. Miniature flamandes 1404-1482, Paris, Brussels, 2012, pp. 238-255.
metadata:
  label: Is Referenced By
  value: Farquhar, J. Creation and Imitation: The Work of Fifteenth-Century Manuscript Illuminator, Fort Lauderdale, FL, 1976.
metadata:
  label: Is Referenced By
  value: Kren, T. and S. McKendrick. Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, Los Angeles, 2003.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. “The Liturgical Psalter in Medieval Europe,” in Jewish and Christian Approaches to the Psalms: Conflict and Convergence, ed. Susan Gillingham, Oxford, 2013, pp. 89-104.
metadata:
  label: Is Referenced By
  value: Solopova, Elizabeth. Latin Liturgical Psalters in the Bodleian Library: A Select Catalogue, Oxford, 2013.
metadata:
  label: Is Referenced By
  value: Van Deusen, Nancy, ed. The Place of the Psalms in the Intellectual Culture of the Middle Ages, Albany, 1999.
metadata:
  label: Rights Status
  value: No Copyright - United States
metadata:
  label: Access Rights
  value: Digital reproduction published by Western Michigan University and made available for private study, scholarship or research use under applicable U.S. Law. Access to digital reproductions provided by Special Collections at Zhang Legacy Collections Center, Western Michigan University.
images: Annotation
  motivation: sc:painting
  on: https://luna.library.wmich.edu/luna/servlet/iiif/m/WMUwmu~77~77~1222637~162549/canvas/c1/page101
width: 3444
height: 4443

default.jpg
type: Image
service: WMUwmu~77~77~1222637~162549page101
format: image/jpeg
width: 3444
height: 4443